What they said about us

The Press

"A deeply brooding account of Sibelius’s Valse Triste was the ideal intro to his Fifth Symphony. Here, Wright instinctively knew that the whole work builds towards its noble finale and cannot be allowed to climax too soon. So he kept the brass, in particular, in close order, and forged colourful mood changes in the slow-movement variations. Excitement bubbled through the finale, until the brass – yes – but also the violins, more lush than ever, cut loose to reach a glorious peak."